RESUMO
The article reflects on how the themes of hunger, consumption of soft drinks and consumption of beans and rice are addressed in Brazilian popular music. We investigate the years of military dictatorship (1964-1985). The focus of the analysis is on the so-called protest song, a musical genre characterized by aesthetic, cultural, political, ideological and social criticism to military rule. The study of the ideology and philosophy of language of Mikhail Bakhtin is the theoretical reference; especially his concepts of "ideological sign" and "word." Analysis reveals that the protest song portrayed elements of the economic, political and social contexts and led to the diffusion of healthy or unhealthy eating habits or ideologies, contributing to the construction of the Brazilian dietary identity.
Assuntos
Bebidas Gaseificadas/história , Dieta/história , Dissidências e Disputas/história , Alimentos/história , Música/história , Brasil , História do Século XX , Humanos , Fome , Sistemas Políticos/históriaRESUMO
O artigo reflete sobre como as temáticas fome, consumo de refrigerantes e consumo de feijão com arroz são enfocadas na música popular brasileira. Investigamos os anos de ditadura militar (1964-1985). O foco da análise é a chamada canção de protesto, gênero musical caracterizado por críticas estético-cultural, político-ideológica e social aos governos militares. Tomando como referencial teórico os estudos de ideologia e filosofia da linguagem de Mikhail Bakhtin, evidenciamos que a canção de protesto retratou elementos dos contextos econômico, político e social, e propiciou a difusão de hábitos e ideologias alimentares saudáveis ou não saudáveis, contribuindo para a construção da identidade alimentar brasileira.
The article reflects on how the themes of hunger, consumption of soft drinks and consumption of beans and rice are addressed in Brazilian popular music. We investigate the years of military dictatorship (1964-1985). The focus of the analysis is on the so-called protest song, a musical genre characterized by aesthetic, cultural, political, ideological and social criticism to military rule. The study of the ideology and philosophy of language of Mikhail Bakhtin is the theoretical reference; especially his concepts of “ideological sign” and “word.” Analysis reveals that the protest song portrayed elements of the economic, political and social contexts and led to the diffusion of healthy or unhealthy eating habits or ideologies, contributing to the construction of the Brazilian dietary identity.
